Tag Archives: issues 1.2

Input, Output

Input, Output

Play it by hand and by heart—–

Through static, censored radio, some tambourine

jangles, interprets a crayon illustration

one child scrawled after his village

was wiped out.

The tanks, the shattered slats,

they are all re-assembled here where

this crayon, this simple tambourine

designates the origins of no particular

culture.  That’s why the child sticks with us:

eyes, shiny olives hardly suggesting deeper torment.


Instead, cocoa skin goes running wearing imported

light cotton, a stained glass window array—–

Pinks which gesticulate, buttery yellow, startling

purple and Indian turquoise, dispatched as wings

across this barbed wire play yard.


Yes, where such breathing frequents,

little cymbals begin tinkling, rings for passing

palm unto palm ‘til the crayon, the child

pulses brush fire amid jingles for soda.


Listen eavesdropper, hear what undercurrent trembles?

It’s cause ‘n effect strumming in and out of each other,

a million tambourines whispering, a million crayons

squeaking, scratching mere paper to resurrect life

across the power, the power


falling like his city.


Stephen Mead, a resident of NY is a published artist, writer, maker of short-collage films and sound-collage downloads. His latest P.O.D. amazon release is an art-text hybrid, “According to the Order of Nature (We too are Cosmos Made)”, a work which takes to task the words which have been used against LGBT folks from time immemorial. In 2014 he began a webpage to gather links of his poetry being published in such zines as Great Works, Unlikely Stories, Quill & Parchment, etc., in one place: Poetry on the Line, Stephen Mead.

Goddess of all Creation

“The sacred mystery we feel as we experience the immense expansion of the multiverse serves to unify us to a common purpose of love, reverence and peace” – Yolanda Atencio




Yolanda Atencio‘s  ‘Goddess of All Creation’ send the message of the artist’s love for the divine eternal essence of all that is. She is a therapist in NM ans earnied her M.A. in Social Work and her B.A. in Theatre Arts at New Mexico State University. Yolanda’s play Daddy’s Princess was published under the production of Mark Medoff in 1984.